| 1994 World Telugu conference souvenir |
| 50 years of Malayalam cinema - Filmotsav 88, Trivandrum, January 10-24, 1988 |
| Abbas, Jahir, aut.; Ganguly, Sujoy, transl.
Forum theatre in Bengal |
| Abbas, Khwaja Ahmad 1914-1987 + Dossa, Pragji
Barrister-at-law - A play about the early life of Mahatma Gandhi |
| Abbas, Khwaja Ahmad 1914-1987, aut.; Kabir, Nasreen Munni, ed., transl.
The Dialogue of Awaara - Raj Kapoor's immortal classic |
| Abbas, Khwaja Ahmad 1914-1987
A Film pamphleteer's diary |
| Abbas, Khwaja Ahmad 1914-1987
I am not an island - An experiment in autobiography |
| Abbas, Khwaja Ahmad 1914-1987
India's anti-fascist theatre |
| Abbas, Khwaja Ahmad 1914-1987
Indian cinema |
| Abbas, Khwaja Ahmad 1914-1987
The Indian theatre |
| Abbas, Khwaja Ahmad 1914-1987
Invitation to immortality - A one-act play |
| Abbas, Khwaja Ahmad 1914-1987
The Mad, mad, mad world of Indian films |
| Abbas, Khwaja Ahmad 1914-1987
Mirror of India; movie-making across the world - V |
| Abbas, Khwaja Ahmad 1914-1987
Soviet influence on Indian cinema |
| Abbuhl, Mauro + Burgi, Chudi 1956- + Kopse, Dagmar, eds.; Manchobe, Driss, photos; Zehnder, Gabriela + Wubbe, Clara +
Traub, Daniel, transls. from German into French
Soukous, Kathak et Bachata - Musiques et danses d'Afrique, Asie et Amerique latine en Suisse |
| Abbuhl, Mauro + Burgi, Chudi 1956- + Kopse, Dagmar, eds.; Manchobe, Driss, photos
Soukous, Kathak und Bachata - Musik und Tanz aus Afrika, Asien und Lateinamerika in der Schweiz - Ein Buch von
Kultur und Entwicklung |
| Abdulla, V.
The Moplahs |
| Abdullah, A., Sheikh
Magic dances of Asia |
| Abhinavagupta, aut.; Pande, Anupa, transl.
Abhinavabharati - Abhinavagupta's commentary on Bharata's Natyasastra chapter-XXVIII; English translation with
historical critical explanations |
| Abhinavagupta, aut.; Gnoli, Raniero, ed., transl.
The Aesthetic experience according to Abhinavagupta |
| Abhinavagupta, aut.; Gnoli, Raniero, transl. into Italian, notes
Essenza dei Tantra |
| Abhinavagupta, aut.; Masson, J. L. + Patwardhan, M. V., transls.
On Santarasa; aesthetic equipoise |
| Abhinavagupta, aut.; Silburn, Liliane, ed., transl. into French
Le Paramarthasara |
| Abichandani, Param
Dearth of good novels and plays, the Sindhi scene |
| Abodh [pseudonym]
Adya Rangacharya's 'Suno Janmeyjaya' |
| Abolition of Devadasi service in Pudukotta temples |
| Abraham, Amrita
The Experimental theatre at Chhabildas school, Bombay |
| Abraham, David
Sitara Devi |
| Abraham, Renish G., Dr
Vidushaka versus Fool - Character of Vidushaka in Sanskrit theatre with special reference to Mrichhakatika and
Shakuntala |
| Abraham, Smitha
Dance away the folksy way |
| Abrahams, Ruth Karen
The Life and art of Uday Shankar |
| Abrahams, Ruth Karen
Performance chronology of Asian dance in New York City 1906-1976 |
| Abrahams, Ruth Karen
Uday Shankar - The early years, 1900-1938 |
| Abrams, Tevia 1934-
A Dash of art with your politics; Some observations on the mid-term election campaign in India, March 7, 1971 |
| Abrams, Tevia 1934-
Folk artists as agents of change |
| Abrams, Tevia 1934-
Folk theatre in Maharashtrian social development programmes |
| Abrams, Tevia 1934-
Folk traditions in support of national development programs |
| Abrams, Tevia 1934-
From the people to the people; Maharashtra's Tamasha folk theatre |
| Abrams, Tevia 1934-
Tamasha - People's theatre of Maharashtra State, India [thesis] |
| Abrams, Tevia 1934-
Tamasha [article] |
| Acciari, Monia
Bollywood's variation on the firanfiness theme - Song-and-dance sequences as heterotopic offbeats |
| Acciari, Monia
The Italianization of Bollywood Cinema - Ad Hoc films |
| Achar, Aparna
Saroja Vaidyanathan; accolades at eventide |
| Acharya, Chilakamari Rama
Costume and make-up in Bhagavata Mela Natakam |
| Acharya, Chilakamari Rama 1919-1998 + Sarabhai, Mallika 1954-
Understanding Kuchipudi |
| Acharya, I.
Aesthetizing without agenda - A counter-reading of the Western approach to Chhau dance |
| Acharya, Kala + Joshi, Shubhada A.
Sri Aurobindo and Vedic interpretations |
| Acharya, Kumudini
Traditional Sahijata of Puri town |
| Acharya, Nityananda
Peace in dilemma, an one-act problem play |
| Acharya, P. B.
The Denouement and its dramatic propriety in Abhijnanasakuntala, Uttararamacarita and Mrcchakatika |