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"How can we hope to study Qing history if we don't understand Peking opera?"
Xu Daling, professor of Qing History at Beijing University,
quoted by Goldman, Andrea Sue: Opera in the city, p.1
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| A 13th century relief of a Chinese stage |
| 2000 years in silhouette |
| 800 years later, the show goes on |
| A.C.
Letter from China - Chinese cinema since Tiananmen |
| Aarts, Inkie
Universeel en/of specifiek chinees in de theaterwerken - Vlucht dialoog en wedervraag van Gao Xinjian |
| Abalkin, N.
Zametky o Kitaiskom teatre [in Russian] |
| Abarbanel, Jonathan
Critics' congress in East Berlin, and what about theatre in Taiwan? |
| Abbas, Ackbar
Hong Kong; culture and the politics of disappearance |
| Abbas, Ackbar
The New Hong Kong cinema and the 'deja disparu' |
| Abbott, Henry R.
Chinese urban youths and Hollywood blockbusters |
| Abel-Remusat - see under Remusat, Jean Pierre Abel
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| Abjimanmudova, B.
Tian Han, the honest son of China |
| Abkowicz, Jerzy
Dlaczgo nie pozwolono ni zyc? [Why was I not allowed to live?] |
| Abkowicz, Jerzy
Gao Xinjian - sygnal ostrzegawczy dzikiego czlowieka [G.X. - the warning signal of the wild man] |
| Abraham, Pierre
Pekin a Paris |
| Abrahams, Ruth Karen
Performance chronology of Asian dance in New York City 1906-1976 |
| Abrams, Steve
Cathay - Three tales of China |
| Abrams, Steve
Hand stories - Scene East |
| Abrams, Tevia
Theatre and theatricality in the service of national development and modernization - Studies in Chinese propaganda
theatre, Nazi German propaganda, and Indonesian folk theatre |
| Abuba, Ernest
Eat a bowl of tea - a drama; Based on the novel Eat a bowl of tea by Louis Chu |
| The Accused |
| Achilles
Mei Lan Fang - China's foremost actor |
| Acocella, Joan Ross
Lifting the bamboo curtain; the Central Ballet of China - Brooklyn Academy of music, March 4-16, 1986 |
| Acon-Chan, Lai Sai
Nation formation and identity formulation processes in Hong Kong - Literary, cinematic, plastic and spatial texts amidst
the uneasy confluece of history, culture, and imperialism |
| Acrobatics and speed |
| Across rivers and mountains |
| Acton, Harold [Marie Mitchell] 1904- , transl.
Ch'un-hsiang nao hsueh, Ch'un-hsiang turns the schoolroom topsy-turvey, a k'un-ch'u light comedy from the Ming dynasty
play Mu-tan t'ing |
| Acton, Harold [Marie Mitchell] 1904-
China |
| Acton, Harold [Marie Mitchell] 1904- , transl.
Lin-ch'ung yeh-pen |
| Acton, Harold [Marie Mitchell] 1904- , transl.
Scenes from Shih hou chi |
| An Actor of all seasons |
| Actors of the Peking opera Red Lantern, School of Chinese theatre
Hail the new success of the revolutionary Peking opera 'Taking the bandits' stronghold' |
| Actress Yang Chiu-ling |
| Adams, Elise Hunt
A Night at the Chinese theatre |
| Adams, George Burton 1851-1925
The Chinese drama |
| Adams, Romanzo
Laughing at the wrong place |
| The Advance of Kung Fu |
| Adzhimamudova, A. + Speshnev, N., eds.
Sovremennaia Kitaiskaia drama [in Russian] |
| Adzhimamudova, Viola Sergeevna
Tian Han - Portret na fone epokhi [in Russian] |
| Aebischer, Pascale + Greenhalgh, Susanne + Osborne, Laurie E., eds.
Shakespeare and the 'live' theatre broadcast experience |
| Aelst, C. d'
L' Art dramatique en Chine |
| Ah Q on stage |
| Ah, Chien
Boulder bay (Script produced by the Shanghai Peking opera troupe in May 1975) |
| Ah, Chien [Ah, Kien]
L' Interrogatoire de la chaise; opera de Pekin a theme revolutionnaire contemporain |
| Ah, Chien [Ah, Kien]
Investigation of a chair (December 1975 script of the Shanghai Peking Opera troupe) |
| Ah, Wen
Face designs in Chinese opera |
| Ah, Wen
The Lean horse |
| Ah, Wen, aut.; Tung Chen-sheng, drawings
New attractions in Peking theatres |
| Ah, Wen
Three young artistes in the revolution in Peking operas |